FRANK ZAPPA
Born in Baltimore, Maryland on 21 December 1940,
Zappa was of mixed Sicilian, Italian, Greek, Arab, French,
Irish, and German ancestry. He was the oldest of four children, with two
brothers and a sister. In January 1951 the Zappa family relocated to the west coast because of Frank's asthma,
settling in Monterey, California, on
the coast about 100 miles south of San Francisco. They moved to Pomona, then El Cajon before moving a short distance once again to San Diego in the early 1950s. By 1955 the
Zappa family relocated to Lancaster, which at the time was a small aircraft and farming town in the Antelope Valley in the Mojave Desert 73 miles north of downtown Los Angeles north of the San Gabriel Mountains. By age 15, Frank had attended six different high schools,
which may have contributed to his sense of alienation in adult life.
His father, a chemist who
was born in Sicily,
worked nearby at Edwards Air Force Base which had at the time a federal government chemical warfare research
facility. Due to their proximity to Edwards AFB, he kept gas masks at home in
case of an accident, and this evidently had a profound effect on the young
Frank. References to germs, germ warfare and other aspects of the 'secret'
defence industry occur throughout his work.
Another formative event was a persistent sinus problem during his early
teens. To Frank's lasting horror, his doctor treated the stubborn ailment by
inserting a pellet of radium into his nose on a probe. Nasal imagery and references to the nose also
recur, both in his writing and in the classic collage album covers created by
his longtime visual collaborator, Cal Schenkel.
As a student, he was bored and given to distracting the rest of the
class with his antics, and was once suspended from school for a dangerous prank
involving explosive chemicals and a Parents' Open House night. He left
community college after one semester in order to make low-budget films. He
maintained his disdain for formal education throughout his life, taking his
children out of school at age 15 and refusing to pay for their college.
Nevertheless, he was in essence a polymath. He was highly intelligent,
ambitious and articulate, widely read, and possessed a voracious intelligence,
drive, singular concentration, enormous creativity and a huge capacity for work
and organisation. However, he was passionately interested in music, developing
wide-ranging and highly idiosyncratic musical interests and demonstrating
superior ability at an early age. His parents were not musicians but had broad
musical tastes also, and he grew up influenced in equal measures by avant garde
composers such as Edgar Varèse and Igor Stravinsky, local rhythm and blues and doo-wop
groups (particularly local pachuco groups), and modern jazz, including bebop and free jazz, all
of which influences show up in his work.
Zappa was from the first interested in sounds for their own sake, which
led to his interest in modern composers. His introduction to Stravinsky seems
to have been a pivotal musical discovery but he was soon ranging even further
afield, musically, in addition to his interests in jazz, doo-wop, R&B, and
rock'n'roll. After reading a magazine review panning French avant garde
composer Edgard Varèse's dissonant drum piece in "Ionisation"
(actually "The Complete Works of Edgard Varese, Volume One") as 'a
weird jumble of drums and other unpleasant sounds', the teenage Zappa became
convinced that he should seek out Varèse's music. When he spotted a copy
of Varèse's "The Complete Works of Edgard Varese Volume One"
in a local record store, where it was being used as a hi-fi demonstration
record, he convinced the salesman to sell him the copy despite the fact that he
didn't have the full price, beginning a lifelong passion for Varèse and
his music. Zappa's mother gave him considerable encouragement. Although she
greatly disliked Varèse's music, she was indulgent enough to give Frank
the gift of a long distance call to the composer at his home in New York as a
fifteenth birthday present. Unfortunately, Varèse was away in
Zappa began his playing career on drums, taking his first lessons at
school in the summer of 1953, aged 13. He drummed with
local teenage combos, but later switched to guitar, which he quickly mastered.
Although he performed as a singer-guitarist for most of his career, Zappa
always retained a strong interest in rhythm and percussion. His bands have been
notable for the excellence of their drummers and works such as The Black
Page are notorious for the virtuoso complexity of their rhythmic structure
and arrangement, featuring radical changes of tempo and metre and short,
densely arranged passages which are contrasted with free-form breaks and
extended improvisations. Classically trained percussionist and drummer Terry Bozzio, who
played for Zappa in the late 1970s and early 1980s as
well as playing and recording many well-known classical and avant garde works,
is on record as saying that Zappa's writing for percussion is as difficult and
complex as anything else he has played.
In 1956 Zappa
met Captain Beefheart (Don Van Vliet) while taking classes at
In 1957 Zappa
was given his first guitar and quickly developed into a highly accomplished and
inventive player. He considered his solos "air sculptures", and
developed an eclectic, fluent and extremely individual style,
eventually becoming one of the most highly regarded electric guitarists of his
time. It is possible that he might have become a professional jazz musician,
but he was soon drawn into rock music, although he retained a lifelong
attachment to jazz forms, voicings and structures and often drew his band
members from the jazz world, if only because of the high degree of musical
competence his music demanded.
Zappa's interest in composing and arranging burgeoned in his later high
school years and he dreamed of being taken seriously as a composer. Although he
was primarily self-taught, his music teacher gave him considerable
encouragement. By his final year he was writing prolifically and had not only
composed, arranged and conducted an avant-garde performance piece for the
school orchestra, but had also contrived to have the event both broadcast on
local radio and recorded. A portion of this historic recording is included on
the CD The Lost Episodes. Zappa did see his childhood dream realized, as
the London Symphony Orchestra played a program of his music, and the Ensemble Modern in 1992
received a 20-minute ovation after performing a program of his work a the Frankfurt Opera
House.
During high school Zappa had also developed a strong interest in graphic
arts. After graduating in June 1958 he worked for a time in advertising. His sojourn in the commercial
world was another important influence on his work, and within a few years Zappa
was co-opting the techniques he learned as a commercial artist, and was using
them to deconstruct music, the music business, the media and society at large
by combining them with the ideas he had gleaned from his studies of dada, situationism, and surrealism.
Zappa always took a keen interest in the visual presentation of his
work, rapidly developing from album cover designer (e.g. Absolutely Free)
to director of his own films and videos. Zappa's album covers are highly
distinctive, and frequently bizarre and surreal. His two most important visual
collaborators were Cal Schenkel in the Sixties and early Seventies, and Donald
Roller Wilson in the Eighties and Nineties. One of Zappa's best-known and
best-loved album images is that created for the 1969 compilation Weasels
Ripped My Flesh, a disturbingly surreal painting by renowned album artist
Zappa moved to
In 1962 he
appeared as a solo artist on the Steve Allen Show performing a satirical dadaist piece
involving a bicycle. Although many of the tapes of this series were later
destroyed, the video of Zappa's remarkable performance survives. He married his
first wife Kay the same year but the relationship soon deteriorated and they
divorced two years later. In 1963 he began playing professionally around
Zappa had begun recording at Pal since the early 1960s and
after receiving a payment for one of his film scores he was able to buy the
studio. Soon after, his marriage ended and he moved out of his apartment and
into the studio, where he began routinely working 12 hours per day and more,
setting a pattern that would endure for almost all of his life. Although only a
small business, Pal was particularly attractive to Zappa because it contained a
unique 5-track tape recorder built by the previous owner, Paul Buff. At this
time, only a handful of the most expensive commercial studios had multitrack
facilities and for smaller studios, the industry standard was still mono or
two-track. By the time he recorded his first LP with The Mothers in 1966 he
was already an accomplished recording and mastering engineer and from his third
LP on and for the rest of his career, he produced all his own work.
After being approached by a customer who wanted him to produce a
suggestive tape for a stag party, Zappa and some friends jokingly faked the
"erotic" recording, which purported to contain the sounds of people
having sex. Unfortunately the customer turned out to be an undercover member of
the Vice Squad and Zappa was jailed for ten days on charges of supplying
pornography. His entrapment and brief imprisonment left a permanent mark on
him, and was a key event in the formation of his anti-authoritarian stance.